John berger ways of seeing chapter 5 summary

#John berger ways of seeing chapter 5 summary full#

#John berger ways of seeing chapter 5 summary full#

How much more does this issue apply to viewing art work on platforms like instagram or Pinterest where you can see painting after painting, the eye and brain become full of so many visual messages. He makes comment on how we interpret meaning of images when we see them alongside other images for instance in a magazine, they vie for attention. And I agree with this, music itself speaks has a connotation or feeling which can be used to manipulate our feelings towards an image or even an event. He also makes note of the use of music to accompany the viewing of a work of art changes the feeling or meaning of the piece we are viewing. When we look at a painting in person it exists as a whole piece, when we view it by film or television we see it viewed in stages and fragments through a sequence of time. We are at the mercy of the areas chosen to be focussed on and we lose sight of the painting or work before us as a whole. The issue of silence РІР‚вЂњ paintings do not speak, they are silent, he claims this makes them easily pray to manipulation but the movement of the camera, or movement of our thoughts/eye. What meaning do reproductions acquire when we hang them on our walls at home? РІР‚Сњ A lot more is possible, but only is art is stripped of the false mystery and the false religiosity which surrounds it.РІР‚Сњ It comes to you, this meaning, like the news of an event. ItРІР‚в„ўs meaning ,or a large part of it has become transmittable. РІР‚СљThe meaning of a painting no longer resides on itРІР‚в„ўs unique painted surface, which it is only possible to see in one place at one time.

It is the image of the painting which travels now.РІР‚Сњ As I watched I made some notes of phrases that stood out to me, or my responses to his ideas, these arenРІР‚в„ўt arranged as an essay merely an arrangement of thoughts for my own reference. One could refer to essay one where Berger says РІР‚Сљwe never look it just one thing we are always looking at the relation between thing and ourselvesРІР‚Сњ (Berger 9).IРІР‚в„ўve just watched the first episode of Ways of Seeing by John Berger. If all of the white marble tombstone in the image could be accurately counted how many would there be in the image. Some of the religious symbols can be made out on some of the white marble tombstones in the front of the image. The name on some of the white marble tombstone in the front of the image can almost be seen clearly enough to read. Think of the story that could be told by each service member that is buried in this image. This shows that the people that take care of Arlington National Cemetery have an unyielding, dedication to making sure that every grave site gets the same attention and dedication. The tree in the image have no leaves so this image may have been taken in the fall and still there are no leaves laying on the ground. The first thing one looks at in the image of Arlington National РІР‚В¦show more contentРІР‚В¦ In this image one can see the dedication that is taken to make sure that every grave and white marble tombstone is clean with no weeds growing on or around it. When one look at just one thing one is always looking at the relation between things and ourselves. The viewer can analyze the following in the image of Arlington National Cemetery white marble tombstone, the trees, the road or path, and the person at the grave side in the image of Arlington National Cemetery through the lens of essay one of John Berger book РІР‚СљWays of SeeingРІР‚Сњ. The analyzing of the picture of Arlington National Cemetery will be done through the perspective of essay one. The analysis of the image of Arlington National Cemetery will be done through the book by John BergerРІР‚в„ўs РІР‚СљWays of SeeingРІР‚Сњ. Arlington National Cemetery Through the Perspective of a Picture